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Robert Reford fonds

  • 11
  • Fonds
  • [1889-1891]

The scanned images contained on the two discs in this fonds represent a selection of Robert Reford’s amateur photographs found in two albums from his time in British Columbia (1889-1891). The images are presented in the order that existed in the original albums. The photographs were taken in various parts of British Columbia.

Robert Reford

Wilson Duff fonds

  • 29
  • Fonds
  • 1919-1977, predominantly 1948-1977

The Wilson Duff papers consist of textual records, photographs, negatives, slides, maps, audio recordings, compact disks and one video tape that relate to Duff's activities, correspondences, and publications as one of the foremost researchers in Northwest coast Indian history, culture and traditions. Also included in the fonds are records relating to Duff’s work as an Anthropology professor at the University of British Columbia, his advisory and curatorial consultancy work, committee membership and the exhibit Images: Stone: B.C.

Records in the Wilson Duff fonds have been organized into the following seventeen series:

Series 1: Wilson Duff’s student papers (1949-1950)
Series 2: Correspondence (195?-1975)
Series 3: Published and unpublished articles (195?-1972)
Series 4: Site visits (195-)
Series 5: Northwest Coast research (195?-197?)
Series 6: Teaching materials (1965-1976)
Series 7: Committee and consultancy records (1966-1976)
Series 8: Personal records (1965-1976)
Series 9: Photographic records (195?-1976)
Series 10: Maps (1955-1976)
Series 11: Images: Stone: B.C. (1975-1977)
Series 12: Research notes and materials (196?-1976)
Series 13: Tsimshian files (1915-1976, predominant 1957-1971)
Series 14: Recordings (1962-1976)
Series 15: Creative writing (195? - 197?)
Series 16: Posthumous writings on Duff (197? – 199?)
Series 17: Ephemera (195? – 197?)

Wilson Duff

Dan George Prints

File consists of three print copies of a drawing of Chief Dan George done by Minn Sjolseth

In the Middle

File consists of a painting done by Minn Sjolseth. The donor notes that the painting depicts a girl would became the lead in The Ecstasy of Rita Joe, and an oil version of the painting also exists.

Artworks

Series consists of artworks created by Minn Sjolseth from the 1970s to the 1980s. These artworks include intaglio prints, pen and ink drawings, charcoal drawings, and watercolour paintings. Several of the artworks are landscapes, however the majority are portraits of First Nations individuals, including several portraits of Chief Dan George.

Bill Reid tracing

File consists of a tracing of a Bill Reid image done by Minn Sjolseth.

Shaman

File consists of an artist proof intaglio print by Minn Sjolseth.

Bygone Days

File consists of an intaglio drypoint print (edition 5 of 7) by Minn Sjolseth.

Estate of Minn Sjolseth, images and letters, 1995

File consists of photographic documentation of Minn Sjolseth's paintings, other textual records related to her artworks (appraisal documents, price lists complied by Laila Campbell), and a pamphlet from Sjolseth's 1994 retrospective show in Norway with notes and annotations.

Paintings 1970s-1980s, mostly watercolour

File consists of slides documenting Minn Sjolseth's paintings and exhibitions, including paintings depicting Totem poles from the 1970s-1980s, paintings depicting Mexico, and other scenics.

Minn Sjolseth's sketchbook

File consists of a sketchbook put together by Minn Sjolseth containing some of her drawings, as well as newspaper clippings about her and her work and photographic documentation of her artworks and exhibitions.

Minn Sjolseth exhibition materials

File consists of exhibition related materials, including pamphlets from Minn Sjolseth's exhibitions, copies of clippings from her artist file at the Glenbow Museum, newspaper clippings about Sjolseth and her husband Anthony Carter, photographs taken by Carter and annotated by Sjolseth in Norwegian, photographs of Sjolseth's artworks, and negatives from her exhibition at Prince George Art Gallery.

Artwork and Exhibition Records

Series consists of records documenting Minn Sjolseth’s practice as a painter and printmaker from the 1960s to the 1990s. Records include photographic documentation of Sjolseth’s paintings, other artwork, and exhibitions; newspaper clippings and other ephemera related to her artistic career; invitations, press releases, and one sheets from several of her exhibitions; textual records relating to her artworks and artistic career (including price lists, appraisal documents, and artist files from institutions); biographical and memorial pamphlets about Sjolseth; a scrapbook containing photographs and ephemera related to her art practice and personal life; and a sketchbook containing drawings and ephemera.

Minn Sjoselth Paintings 73-75 Kwakiutl (Kwakwaka'wakw)

File consists of slides depicting Minn Sjolseth's paintings and labeled "Longhouse Posts Totem, Village Island, BC, 1974," "Kitwanga Village, 1967," "'Intermission' Kwakiutl, 1974," "Kwakiutl Totems, Alert Bay 1971,", "Last Totem of Skidegate QCI," "Native Cariboo Child, 1973," "Final Rest 1973," "Kwakiutl Totem 1973," "Dominic Charlie, Weather Prophet, Squamish Tribe, 1972," "Wilderness Watch, 1973," and "Basket Weaver." Many of these paintings depict individuals also photographed by Anthony Carter for his book publications.

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